She worked on programmes where cognitive science and public policy were brought together, she says. Studying cognitive science filled that void, she says, it’s a career that has taken her all the way to the White House. And I think in that moment, I realised, OK human connection, that's the thing that's lighting me up.” And it's really a gift that you're given as a human. “And that was so intoxicating, and so special. “I loved the fact that I could emotionally connect with total strangers that, as a young kid, I could go out on a stage and play in front of thousands of strangers, people I have never met before and potentially have the ability to make them feel something they've never felt before. In her, she realised much of what she loved about the violin was connection. “And what I learned from the guests on my show is that really we're just engaging in bad, what I call, cognitive forecasting, where we fail to appreciate that when one part of our life changes, the other parts of our lives don't remain unchanged, we're living in these complex ecosystems and change in one area of our lives can have all of these unexpected, hard to predict, spill-over effects into other areas of our lives.” I certainly used to code the world in this way before starting A Slight Change of Plans. “I think one reason that we can fear change is that we tend to code change as either exclusively bad or exclusively good at the outset. And so it really is an multifaceted experience. “We can feel anticipation and excitement and we can also feel trepidation and fear and anxiety. “When we lose something, certainly when I lost the violin, I didn't expect to grieve the loss of myself, I don't think I realised how tethered my self-identity was to the violin.”Ĭhange fills us with a complex range of emotions, she says. ![]() ![]() When her violin career ended she grieved much more than she expected, she told Jesse Mulligan.
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